TRAKYA ÜNİVERSİTESİ GÜZEL SANATLAR FAKÜLTESİ 2019 – 2020 EĞİTİM ÖĞRETİM YILI ÖZEL YETENEK SINAVLARI İLANI

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TRAKYA ÜNİVERSİTESİ REKTÖRLÜĞÜ’NDEN

2019-2020 Eğitim Öğretim yılında Özel Yetenek Sınavları ile Üniversitemiz Güzel Sanatlar Fakültesine öğrenci alınacaktır. Bölüm kontenjanları tabloda gösterilmiştir.

Bölüm Adı

Kontenjan

Engelli Öğrenci Kontenjanı

Toplam

Grafik Tasarımı

27

3

30

Heykel

13

2

15

Resim

27

3

30

Adaylar sınav başvurularını 01 Ağustos 2019 – 21 Ağustos 2019 tarihleri arasında http://adayogrenci.trakya.edu.tradresinden online olarak yapacaklardır.

Ön Kayıtlar İçin Gerekli Koşullar:

a) Türkiye

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Matthew Larson reviewed by Joyce Beckenstein in Surface Design Journal

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Matthew Larson weaves his own ambiguities with fiber works that loop in and out of two and three-dimensional space while challenging essential premises of twentieth-century Minimal and Op Art movements. Minimal painters favored unemotional works on canvas: hard edges, limited palettes and geometric shapes stripped to their essentials. Op artists explored the nature of perception by creating optical illusions with striking black/white and color contrasts. Larson confounds their scripts with a unique process that he discovered quite accidentally.

One unassuming day, Larson noticed pocket lint adhered to his Velcro keychain and wondered, Can you make art from lint and Velcro? He began by cutting clothing patterns from Velcro sheets and “painting” them with lint salvaged from the dryer. He then began to replicate, without the fluidity of pigment, the visual color effects that Josef Albers achieved in his iconic Homage to the Square, a 25 year long painting series. The astonishing tapestries Larson exhibited in his 2018 solo exhibition, Vice Versa at Massey Klein Gallery in New York, replaced loom, warp and weft with strips of store-bought yarn inserted within Velcro sheets stretched over board.

Stack, consisting of two isosceles triangles connected to form an asymmetrical hourglass-like shape, optically shifts before the viewer’s eyes. It began with a geometric drawing on Velcro and the soaking of half a section of blue yarn in bleach. Larson painstakingly manipulated continuous strands of this bleached and unbleached yarn to “paint” in the light-colored triangles afloat on a soft heather-blue ground. Mesh combines solid-color and marled yarn (different colored strings twisted together to form a single strand) to create the illusion of lines moving up, down, and across the surface simultaneously. A sharp diagonal cuts across these multiple trajectories, keeping the viewer’s eyes jumping to pulsing rhythms that vary according to light and the angle from which one views the work.

Larson’s illusionist effects break rank with art-historical models. He replaces loomed warp and weft with Velcro’s single plane; Minimalism’s flat spare forms with sensuous, tactile, sculptural surfaces; Op Art’s bold contrasts with ethereal variegated hues. And, where Minimalism disdained the artist’s hand, Larson’s tapestries—their fringes functioning as frames—nurture and restore today’s craving for the hand-made object.

https://static1.squarespace.com/static/5a255b28d0e628744ab6d440/t/5d27887a1c057b00019ea2e7/1562871942620/Three+Dimensions_Beckenstein.pdf

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Gereksizler Kutusu ve Provalar, halka sanat projesi (26.06 – 04.08.2019)

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Filtre Platform’un, iki uçtaki yaratım süreçlerini sorgulayan projeleri “Gereksizler Kutusu: [S]atsan [S]atılmazın Envanteri” ve “Provalar”, Halka Sanat ve Kültür Araştırmaları Derneği’nin katkılarıyla, 26 Temmuz – 04 Ağustos 2019 tarihleri arasında halka sanat projesi’nde gerçekleşiyor.

Gereksizler Kutusu: [S]atsan [S]atılmazın Envanteri” ile kitle için seri üretimin sonuçları ortaya konuyor. Evlerde bulunan eşyalar

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BRIAN KEITH STEPHENS, POOL PARTY, HUGO GALERIE, 27 July

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BRIAN KEITH STEPHENS 

HUGO GALERIE is pleased to present Pool Party, a solo exhibition featuring the ebullient imagination ofBrian Keith Stephens. With this exhibition, the artist takes his audience to “a place where it’s always holiday.” So grab your sunglasses and join us on this midsummer sojourn!

Sunbathers and beach cruisers mingle with elephants, tigers, and zebras. Penguins are easily mistaken for pool floats and alligators are offered ice cream. Laundry wafts on the line while

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Işıl Savaşer: AVANGARD SANAT HAREKETLERİ VE DADAİZM…

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Avangard sanat hareketleri üzerine geniş araştırmaları ile bilinen Peter Bürger, ünlü kitabı ‘Avangard Kuram’ da açıkladığı üzere, avangard askeri bir terim olup, ordunun öncü kolu anlamına gelmektedir. 1830-1840’ların ütopyalar döneminde siyaset diline girmiştir ve köklü dönüşümlerin önderleri anlamında kullanılmaya başlanmıştır. Avangard sanatçılar da öncü olmalı ve gelişmeyi teşvik etmeliydiler. Dolayısıyla avangard nosyonu, modern sanat tarihinin

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GDGAI Newsletter — Spring 2019

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This collaborative exhibition between the JSMA and the George D. Green Art Institute celebrated recent work by forty-five artists who began their creative careers in Oregon during the 1960s and ’70s. This exhibition showcased how this generation of artists continued to represent the highest levels of artistic statement and creative accomplishment while maintaining commitments to personalized styles. Sixty years after their careers started in this state—in many cases, as students of the

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