Safak Gunes Gokduman: Alfredo da Silva: “I See Mountains in Space / Yo veo montañas en el espacio.”

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Fine Artist

Çev./Trans.: Metin Halis Kaya

Alfredo Da Silva, who was born on February 20th, 1935 in Potosi, Bolivia, graduated from Potosi Fine Arts Academy and Prilidano Pueyrredon Fine Arts Academy. He was awarded with the scholarship of Graphic Arts in New York Pratt Institute in 1962. Alfredo Da Silva is known as an abstract expressionist.

When we look at his first studies, we see geometric shapes that do not have sharp edges and the dominance of pastel colors on the canvas. The colors gradually give their

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Barış Kurt: Propaganda Eliyle Suskunluk Sarmalı Tesis Etme Sanatı

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5

“Rıza üretimi, iktidar, propaganda” gibi kimi kelimelerin bolca kullanılacağı, günümüz Türkiye iktidarının bu bağlamla ilişkilendirilmeye çalışılacağı ve yazının kendisinin başlıktan kısa olacağı düşünüldüğünde KolajART okurları olarak birçok alt başlığın eksik kalacağını düşünebilirsiniz ve haklı da olursunuz.

1.Dünya Savaşı yıllarında kullanılmaya başlanan “rıza üretimi” kavramı kitlelerin kendine ait olmayan tercihlerinin,

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Tate Modern Performance Programme 2014

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Tate Modern | Upcoming Performance Programme 2014

BMW Tate Live 2014

Cally Spooner: And You Were Wonderful, On Stage 
Tate Britain, Rotunda | Friday 21 January, 19h & 21h GMT
British artist Cally Spooner presents And You Were Wonderful, On Stage, a two-part commission performed at Tate Britain on 21 January and online on 27 February. The work draws on the genre of Broadway musicals and has been written for a chorus line singing a cappella.

Tim Etchells and FormContent: It?s moving from

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VIDEOHOLICA 2014 | VII ULUSLARARASI VİDEO SANAT FESTİVALİ

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VIDEOHOLICA 2014 | VII ULUSLARARASI VİDEO SANAT FESTİVALİ 
VARNA | BULGARİSTAN | 1 – 7 Ağustos 2014  
uygulaması için son tarih: 1 Haziran 2014

VIDEOHOLICA International Video Art Festival in Varna, Bulgaria starts the new open call for video art submissions for its 7th edition. The 7th VIDEOHOLICA will take place between 1st and 7th August 2014 in Varna, Bulgaria.
This year?s edition of VIDEOHOLICA will be accompanied by an international panel discussion on the issues

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SFC – Shoah Film Collection,

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=&0=& =&1=&=&2=& SFC – Shoah Film Collection  is a wordwide unique initiative by Agricola de Cologne, director of Cologne Art & Moving Images Awards addressed to the young generations of artists and film makers to use new technologies and contemporary approaches in art in order to senstize the visitors/audience to keep vivid the memory of SHOAH. Launched on occasion of 65th return of the Liberation of the Concentration Camp of Auschwitz on 27 January 2010 SFC – Shoah Film Collection has meanwhile collected 37 outstanding pieces of videoart. Each year, on 27 January, SFC – Shoah Film Collection is releasing a new call for submissions , and now it is so far to invite again artists from the field of “moving images” to submit experimental art films and videoart reflecting the topic of “SHOAH” and related fields. In 2012, SFC – Shoah Film Collection became the starting point and basis ofCTF – Collective Trauma Film Collections – http://ctf.engad.org Also in 2012, a special event structure has been created, i.e. A Virtual Memorial – Commemorative Interventions” – for placing SFC – Shoah Film Collection in the context of complementary interventions like lectures, a symposion, exhibitions, discussion, artists talks and much more, in order to activate the artists and film makers, as well as the audience. In 2012 und 2013 the first events took place in Riga, Phnom Penh, Warsaw, and Vilnius, to be continued in 2014 & 2015 in Milan, Timisoara and other places –http://avmci.a-virtual-memorial.org In this initiative, the topic of “SHOAH” can be understood as a metaphore for the dark side of human existence causing the most extreme violations of human rights and human dignity, as they are manifesting themselves in the process of the historical HOLOCAUST during the Nazi era in the 20th century, but also in the genocides and crimes against humanity as they are happening nowadays before our very eyes or in our neighbor’s garden. Understanding as a witness what is happening these days, offers the possibility to understand the inimaginable which the historical HOLOCAUST is representing. Reflecting the massacre of Srerbrenica, the genocide in Rwanda, Cambodia or Guatemala, the repressions in Tibet or the xenophobic behaviour of your neighbor or probably your own intolerance, is helping to understand the PAST, the PRESENT and FUTURE:=&3=& DEVAMINI OKUYUN
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Meltem Yakın Üldes: Sanatçıya Sahip Olma Arzusu

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breitwieser-2

Stéphane Breitwieser, tam bir sanat tutkunudur. Tutkusu takıntı boyutunda olan Breitwieser, sanat eserlerine sahip olma arzusuna karşı koyamaz. 1994 ile 2001 arasında 239 parça sanat eseri çalar. Annesi, oğlu tutuklandığında delilleri yok etmek için eserlerin büyük kısmını parçalayıp bir bölümünü çöpe, bir bölümünü nehre atar. Breitwieser cezaevinde iki kere intihar teşebbüsünde bulunur. Annesinin biricik koleksiyonunu imha etmesinin onu bunalıma sürüklediği

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