A two-day meeting in Berlin will convene a group of artists, writers, and researchers to re-examine landscape as a mode of inquiry in art.
As technology continues to develop, it expands our perception of spatial reality and thereby provides new subject matter for aesthetic questions. Yet how does the artist remain present when reality is experienced through data?
Through scientific attempts to further understand space and time, technological progress has enabled us to gather previously unavailable imagery at nearly any scale of time or distance—at extreme resolution, across various spectra, remotely, and passively. These methods
DEVAMINI OKUYUN