Deniz Bayav, Julien Comte-Gaz, Fabien Granet, Izabela Kowalczyk,
Stéphane Margolis, Suzanne Moxhay, Gabriel Riesnert, Aurélie Sicas
5 Temmuz – 7 Eylül 2024
(5-24 Ağustos tarihleri arasında yaz tatili için kapalıdır)
GALERIE JEAN-LOUIS RAMAND – Place St Jean de Malte – 13100 Aix en
Provence/Fransa
Galerie Ramand, bu yaz galerinin tamamını kaplayacak eserlerden oluşan bir karma sergi olan “Arrangements & Contemplation”u sunmaktan mutluluk duyuyor. Teknik sınırların
Galerie Lelong & Co. is pleased to announce that Ana Mendieta: Search for Origin is on view at Musée des beaux-arts La Chaux-de-Fonds, Switzerland through October 27, 2024.
Ana Mendieta: Search for Origin brings together around 70 works covering more than fifteen years of production (1968-1985) of the Cuban born, American artist Ana Mendieta (1948-1985). The exhibition explores how the artist never ceased to reinvent herself, developing a new sculptural
TEMPLON New York’s group exhibition Cosmography brings a poetic exploration of the cosmos featuring works by gallery artists Abdelkader Benchamma, Will Cotton, Jitish Kallat, Iván Navarro, and Chiharu Shiota, along with other artists including Laurent Grasso, David Huffman, Chris Martin, Mariko Mori, Toshiko Takaezu, and De Wain Valentine.
Cosmography, the scientific study of mapping the general features of the universe, is a field
Perasma’nın yeni sergisi “All Things Become Islands Before My Senses”, 30 Haziran’da Yunanistan’ın Leros adasında ziyarete açılıyor. Adadaki tarihi mekânlarla diyalog hâlinde gerçekleşecek karma sergi, William Kentridge, Goshka Macuga, Cevdet Erek, Maryam Turkey ve Lindsey Mendick‘in de aralarında bulunduğu 17’den fazla uluslararası sanatçının
Flight, desolation and displacement are deeply inscribed in the work of Hans Josephsohn (1920–2012). Not in terms of motifs or themes, but as a fundamental life experience. Unlike the smooth, gracefully fluid agility of Lehmbruck or Maillol, who inspired him in his youth, and unlike Giacometti’s fraying dissolution of the figure in the glistening backlight of an atomic flash, for instance, Josephsohn clings firmly to the figure. Every grasp of the shapeless plaster solidifies the human
