Galeri FE, sanatçı Dilek Işıksel ‘in “Saf Sevginin Kanatlarında” adını verdiği kişisel sergisine ev sahipliği yapıyor.
Bedri Rahmi Eyüboğlu’nun öğrencilerinden Dilek Işıksel, pek çok medeniyete ev sahibi olmuş, büyülü kent İstanbul’u ve İstanbul’a dair tüm motifleri resmin merkezine koyuyor. Kubbelerin, tarihi yarımadanın, Galata’nın, denizin ve kuşların yanı sıra, şehre ait mistik enerjinin hissedildiği pek çok detayı bütünleşik bir biçimde
Galeri Selvin Nişantaşı adresinde 20 Nisan – 15 Mayıs tarihleri arasında
figüratif resmin önemli temsilcilerinden Mahir Güven’in “Baharı Getirdim Sana” isimli resim sergisine ev sahipliği yapıyor.
İstanbul Devlet Güzel Sanatlar Akademisi Resim Bölümünde Neşet Günal atölyesinde eğitim gören sanatçı, 1981’de mezun oldu.
Perrotin New York is pleased to open two new exhibitions, on view from April 29th through June 5th.
Join us for an opening reception with limited capacity on Thursday, April 29th from 12-8PM. You can book appointments to visit here.
On our first and second floors is a new series of paintings by Japanese artist MADSAKI, marking his first exhibition in Manhattan. This new body of work pivots away from the artist’s most iconic subject-matter — which draws
HUGO GALERIE is pleased to present Sous le Ciel de Paris, a solo exhibition of the exquisitely articulated watercolors of Chizuru Morii Kaplan. Originally trained as an architect, Kaplan channels the profession’s zeal for precision and perspective into saturated renderings of worlds worth inhabiting.
Whereas architectural drawings typically propose hypothetical futures, Kaplan relishes the present and demonstrates the intense mystery and magic
Open on Thursday, April 1 from 10:00am – 7:00 pm with limited capacity. The artist will be present from 4:00pm.
Galerie Lelong & Co., New York, is pleased to present It’s a love thang, it’s a joy thang, our first solo exhibition with Tariku Shiferaw. Born in Addis Ababa, Ethiopia and currently based in New York City, Shiferaw’s practice of mark-making references the historicity of abstract painting and its hierarchical structures embedded in scholarship. It’s
