Etiket: perrotin
PERROTIN, FRIEZE NEW YORK BOOTH B03 May 5 – 9, 2021 The Shed, New York
Perrotin is pleased to return to Frieze New York, on view at The Shed from Wednesday, May 5th through Sunday, May 9th, with a presentation focused on innovations in painting.
Following a career retrospective at Centre Pompidou, French conceptual painter Bernard Frize will debut a suite of new large-scale works in a focused presentation for the fair. Concurrently, the gallery will unveil new paintings by Daniel Arsham, Pierre Soulages,
MADSAKI & Gabriel Rico — April 29 – June 5 — Perrotin New York
Perrotin New York is pleased to open two new exhibitions, on view from April 29th through June 5th.
Join us for an opening reception with limited capacity on Thursday, April 29th from 12-8PM. You can book appointments to visit here.
On our first and second floors is a new series of paintings by Japanese artist MADSAKI, marking his first exhibition in Manhattan. This new body of work pivots away from the artist’s most iconic subject-matter — which draws
JEAN-PHİLİPPE DELHOMME, FLOWERS FOR BOOKS, Perrotin Seoul,(April 29 – May 28, 2021)
PERROTIN, FRIEZE NEW YORK BOOTH B03 May 5 – 9, 2021 The Shed, New York
Perrotin is pleased to return to Frieze New York, on view at The Shed from Wednesday, May 5th through Sunday, May 9th, with a presentation focused on innovations in painting.
Following a career retrospective at Centre Pompidou, French conceptual painter Bernard Frize will debut a suite of new large-scale works in a focused presentation for the fair. Concurrently, the gallery will unveil new paintings by Daniel Arsham, Pierre Soulages,
MADSAKI & Gabriel Rico — April 29 – June 5 — Perrotin New York
Perrotin New York is pleased to open two new exhibitions, on view from April 29th through June 5th.
Join us for an opening reception with limited capacity on Thursday, April 29th from 12-8PM. You can book appointments to visit here.
On our first and second floors is a new series of paintings by Japanese artist MADSAKI, marking his first exhibition in Manhattan. This new body of work pivots away from the artist’s most iconic subject-matter — which draws




