Portakal Çiçeği Uluslararası Plastik Sanatlar Kolonisi’nin 6 yıllık sürecinde yapılan eserlerin sergisini ve açılış kokteylini onurlandırmanız dileğiyle
Sanatta Varoluş, Mustafa Kemal Kültür Merkezi (MKM) Beşiktaş Çağdaş,
06 Aralık Cumartesi Günü Saat: 18.30
Uğur Mumcu Cad. No:8 34355 Akatlar, Beşiktaş / İstanbul
(06 Aralık 2014 – 15 Ocak 2015)
Mail Art Exhibition, Frida Kahlo A Woman In The Future, Municipality of Roncello, (December 06th, 2014 – 01st February, 2015)
Christian KRI Kammerhofer, Monica Mori, Klaus Pinter, (Austria), Dorian Ribas Marinho, (Balneario Camboriu), Mimmo Di Caterino, (Barbara Ardau), Svetlana Volosiuk, (Belarus), Marie Christine De Grave, Fierens, Miche-Art-Universalis, Servane Morel, Guido Vermeulen, (Belgium), Jane B. S. Balconi, Marithe Bergamin, Sirlei Caetano, Mara
Berlin’de yaşayan İsviçreli sanatçı Maja Weyermann’ın İstanbul’daki ilk kişisel sergisi SANATORIUM’da seyirciyle buluşuyor. Sanatçı bu sergide “Real-time nomads“ ve “About Paradise“ adını verdiği video işlerini ve bu videolardan yakalanmış natürmortları “The Miller Houe and a Slice of Cake – or- Life Shortly Before Disaster“ serisiyle birlikte sunuyor.
Sanatçının üç ayrı bölümde üzerinde çalıştığı konular aynı odak noktasında birleşiyor:
Sculptures & Drawings. 2000-2014’ at the S.M.A.K. is the first mid-career presentation of the oeuvre of Berlinde De Bruyckere (1964, Ghent). This exhibition shows a hundred-odd works which have so far rarely if ever been seen in Belgium, though in the last decade the artist has exhibited in many of the most important international museums and institutions.
The exhibition does not give us a chronological survey, but is conceived as a promenade taking in a select choice of drawings, sculptures
Starting in September, the S.M.A.K. is presenting an exhibition entitled ‘Collection Study III: Art in Europe after 1968’. This study project, launched in 2012, has resulted in a presentation about the exhibition ‘Art in Europe after 1968’, which Jan Hoet mounted in 1980. Works from the original exhibition by such artists as Hanne Darboven, Jannis Kounellis, Luciano Fabro and Art & Language are combined with pieces from the archives and photographic documents in a setting designed
Jean Schwind (1935-1985) was the most notorious and enigmatic figure in Belgian art in the 1970s. After studying French literature and working as a research assistant at Ghent University, at the end of the 1960s he found his way into the art scene. In 1970 he showed large format erotic drawings at the Fitzroy Gallery in Brussels, and the following year exhibited the Schwind Collection, a series of remakes by the nouveaux réalistes. The confusion was only increased by the fact that hardly anyone
