İstanbul’un ilk art nouveau yapısı Casa Botter, Levent Çalıkoğlu küratörlüğünde gerçekleşen “Botter Sergileri” serisinin ikincisi olan “Solo Botter: Nuri İyem” sergisine ev sahipliği yapıyor. Serginin açılışı İBB Kültür Varlıkları Dairesi Başkanı Oktay Özel, İBB Kültür Dairesi Başkanı T. Volkan Aslan ile sanatçının oğlu Ümit İyem, torunu Osman Nuri İyem ve eşi Gizem Kahya İyem’in
Undying extends Williams’s enduring engagement with the representation of women and the construction of gender in portraiture, advertising, folklore, social media, and film. Her vivid imagery is as diverse as her source material. Known for highly stylized figures composed through layers of brushwork, marbling, airbrushing, sponging, and stenciling, Williams often employs an arsenal of tools more familiar to crafting than to easel painting. These techniques anchor the lush opticality
For her first solo exhibition at Perrotin Shanghai, and in China,
Danielle Orchard revisits the history of still life to reframe female
corporeal representation. Her arresting and often humorous
images combine the visual language of modern art with everyday
realities of contemporary womanhood. While rendered with the
saturated palette of Impressionism and sharp contours of Cubism,
in Orchard’s paintings, subjects are freed from the rigidity of
painterly tradition.
Decollage Art Space, 30 Mayıs tarihinde Ülkü Yılmaz’ın “Unnamed” adlı solo sergisine ev sahipliği yapıyor. Sanatçı “Unnamed” sergisinde, sınırlamalar ve yönlendirmeler olmaksızın, kelimelerin yetmediği duyguları işleri üzerinden, estetik kaygıdan ziyade güçlü bir dışavurumla, kendini ifade etme biçimi olarak bizlere aktarıyor.
“Kelime dağarcığımız çok fakir olduğu için
hayatta başımıza gelen pek çok şey isimsiz kalır…”
John
Galerie Max Hetzler, London, is pleased to present L’improduttiva,a new body of seventeen paintings and works on paper by Giulia Andreani.This is the artist’s fourth solo exhibition with the gallery, and the second in the London space.
Recently exhibited at the Collezione Maramotti in Reggio Emilia, Italy, the present works encapsulate Andreani’s compelling yet haunting painterly practice. Across her oeuvre, Andreani
HETZLER MARFA is pleased to announce The Super Eight, a solo exhibition of works by KatharinaGrosse(b. 1961, Freiburg im Breisgau, Germany). The exhibition consists of seven new works on canvas which Grosse painted in her studio in Aotearoa New Zealand in early 2024, specifically for this presentation.
Katharina Grosse
When forces hit
Over summer, down here, I read the novel Stoneyard Devotional (2023) by Charlotte Woods. The main character is a woman of middle age
