Doç.Dr.Ulaş Başar Gezgin: Sosyal Psikoloji Açısından Edebiyat ve İktidar (*)

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Edebiyat ve iktidarı sosyal psikoloji açısından incelediğimizde, öncelikle, iktidarın dar ve geniş tanımlarını ayırmak gerekiyor. Dar tanımıyla iktidar, resmî söylemin sandığa hapsettiği yasama-yürütme-yargı ekseninde gerçekleşen bir olgu. ‘İktidar partisi’ sözü, bu dar tanıma karşılık geliyor. Geniş tanımda ise, iktidar, Foucault’cu bir yorum üzerinden, gücün ve hiyerarşinin olduğu her ilişkide varolan daha geniş bir olgu olarak okunabiliyor. İkinci

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Haluk Öner: “Artık Savaşacak Gücüm Kalmadı! ” Virginia Woolf ve Jacob’un Odası Üzerine

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“Sevgilim, yine çıldırmak üzere olduğumu hissediyorum…
Ve ben bu kez iyileşemeyeceğim…
Bu yüzden yapılacak en iyi şey olarak gördüğüm şeyi yapıyorum…”

“Jacob’un Odası,” William Sheakespeare, Anton Çehov, Emily Brontё ve Daniel Defoe gibi yazarlardan etkilenen ve bu etkileri yapıtlarına yansıtan Virginia Woolf’un, 1922’de yazdığı üçüncü romanıdır. Londra’da dünyaya gelen ve evlendiği Leonard Woolf sayesinde kitaplarını kendi basımevinde

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Hollis Dunlap, Axelle Galerie

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472 WEST BROADWAY, NEW YORK, NY 10012      WWW.AXELLE.COM      212.226.2262

NEW YORK CITY– FOR IMMEDIATE RELEASE

HOLLIS DUNLAP

SOLO EXHIBITION

March 15- April 12, 2014

OPENING RECEPTION ON SATURDAY, MARCH 15, 6-8PM (RSVP REQUIRED)

 

   

Central Park Night, Oil on Canvas, 48″ x 64″                          Dreamtime, Oil on Canvas, 40″ x 50″

 

This spring, Axelle Fine Arts will host a solo exhibition for American figurative painter, Hollis Dunlap. Born in Vermont in 1977, Dunlap is known for his works in oil characterized by aesthetic beauty and softness mingled with technical accuracy and stark realism.

Dunlap was interested in art from an early age; as a child and young man, he constantly created works in whatever mediums were available. He began to study the work of Old Masters, such as Vermeer and Caravaggio and the profound influence these great painters had on him is still evident in his work today. After graduating from high school, Dunlap enrolled at the Lyme Academy College of Fine Arts in Connecticut. During his time there, he painted hundreds of figures and landscapes and he received several awards, including winning first place in the National Arts Club Student Show for two consecutive years.

It is rare to find an artist whose genuine passion for his particular medium is so great. On painting, Dunlap states:

I have always enjoyed the look and feel of oil paint, and don’t make many attempts to make the image look like anything other than a painting. I find the realism of an image can become more compelling when it is obviously made up of paint of various colors and shapes. Each shape and color is influenced by its partner to look the way it does; the direction of mark making, the thickness of paint, and each color is carefully considered within each work to suggest three dimensional space and light effects.

It is this visual honesty that distinguishes Dunlap’s works from others in the genre of “realism”; his work, although realistic, is painterly, whether his subject is a softly illuminated nude, a lush green landscape or a still life. Visible brushstrokes and alternating thick and thinly applied paint create a vivid texture and add further interest to each piece. Dunlap combines the precision and attention to detail of classical drawing with the subtle use of light and color that characterizes the work of masters, such as Vermeer. His works depict the complicated relationship between light and shadow in a way that endows every painted moment with a true sense of life; even his still life works feel ripe with movement and emotion.

Over the past few years, Dunlap has had several successful solo exhibitions in New York and Boston.  He has taught painting and drawing at the Lyme Art Association, Mystic Arts Center, and Lyme Academy College of Fine Arts. He currently lives and works in Eastern Connecticut. The upcoming show will include an all-new collection of figures, landscapes and still lifes as well as preparatory pencil sketches. Dunlap will attend the opening reception on March 15.

For further information, prices and photographic material, please contact Elizabeth Thompson at212.226.2262 or email info@axelle.com Gallery hours are from 10:00am to 6:00pm every day.

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www.axelle.com

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Satır Araları, Mine Sanat Galerisi

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SATIR ARALARI
“Haydi bilgeliğin korkunç kabuğunu kıralım ve kendimizi gururla olgunlaşmış meyve gibi rüzgarın kocaman, çarpık ağzına atalım! Kendimizi tümüyle bilinmeyene verelim, umutsuzlukla değil. Saçmanın derin kuyularını tazelemek için yapalım bunu.”
Marinettti’nin (…) üç noktalarla dolu fütürist manifestosu tam da fütüristlere özgü aşırı coşkunun ifadesidir ve yukarıda alıntılana paragraf, o üç noktaların karşılıklarından

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#Yeşilçam#Sinema, Hülya Küpçüoğlu, S-Art by Sürmeli

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Hülya Küpçüoğlu’ nun yeni sergisi “#Yeşilçam #Sinema” , sanatın en çağdaş yansımalarının sergilendiği S-ART By Sürmeli’ de, 10 Nisan Perşembe günü saat 18:00’ de başlıyor!

 

Açıldığı günden itibaren, Türk sanatının en değerli sanatçı ve  eserlerini ağırlayan S-ART by Sürmeli’ de Yeşilçam havası esiyor. Hülya Küpçüoğlu’ nun yeni sergisi “#Yeşilçam #Sinema” sergisi 10 Nisan Perşembe günü, saat  18:00’ de başlıyor. Sergi, sanatçının  2011-2014 yılları arasında yaptığı resimlerden oluşuyor. Sergide, Yeşilçam’ ın sevilen simalarının portreleri, film sahneleri ve filmlerde sıklıkla görmeye alışkın

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Open Call for Emerging Curators Based in the Netherlands

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Open Call for Emerging Curators Based in the Netherlands

Valletta 2018 open call for two curators-in-residence in Valletta, Malta
24 August-7 September, 2014

Valletta 2018 Foundation is offering two emerging, independent curators based in the Netherlands, the opportunity to immerse themselves in a different artistic and cultural environment by staying in Malta for 15 days in August-September, 2014 and developing a project involving international artists that will culminate in a curated show in Malta in 2015. The Foundation is responsible for the implementation

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