Flight, desolation and displacement are deeply inscribed in the work of Hans Josephsohn (1920–2012). Not in terms of motifs or themes, but as a fundamental life experience. Unlike the smooth, gracefully fluid agility of Lehmbruck or Maillol, who inspired him in his youth, and unlike Giacometti’s fraying dissolution of the figure in the glistening backlight of an atomic flash, for instance, Josephsohn clings firmly to the figure. Every grasp of the shapeless plaster solidifies the human
Galerie Max Hetzler, London, is pleased to present L’improduttiva,a new body of seventeen paintings and works on paper by Giulia Andreani.This is the artist’s fourth solo exhibition with the gallery, and the second in the London space.
Recently exhibited at the Collezione Maramotti in Reggio Emilia, Italy, the present works encapsulate Andreani’s compelling yet haunting painterly practice. Across her oeuvre, Andreani
HETZLER MARFA is pleased to announce The Super Eight, a solo exhibition of works by KatharinaGrosse(b. 1961, Freiburg im Breisgau, Germany). The exhibition consists of seven new works on canvas which Grosse painted in her studio in Aotearoa New Zealand in early 2024, specifically for this presentation.
Katharina Grosse
When forces hit
Over summer, down here, I read the novel Stoneyard Devotional (2023) by Charlotte Woods. The main character is a woman of middle age
“For decades, Albert Oehlen and Carroll Dunham have subjected painting to a constant stress test, breaking it down into its components: colour, materiality, and brushwork, line, structure, layering, technique, title, pathos, iconography, and the disappointment and expectation of the recipient.” – Olga Nevzorova
Galerie Max Hetzler, London is pleased to announce Carroll Dunham | Albert Oehlen, a joint exhibition of paintings which explores the stylistic
