Vecdi Uzun: Simülatif Estetik ve Yaratıcılıksız Sanatçılık
Dr. Hakan Yaman: Biz Sanata Bakarken Sanat da Bizi Biçimlendirir mi?
Mehmet Yılmaz: Vecdi Uzun’un “Retorik Estetik: …” Metni Dolayısıyla Kısa Bir Açıklama
Burcu Aydın: Mehmet Yılmaz’dan Yeni Kitap: Bildiğim ve Yaptığım Çağdaş Sanat
Vecdi Uzun: Retorik Estetik: Çağdaş Türk Sanatında Plastik Dilin İğdiş Edilmesi ve Kavramsal Enflasyon
Dr. Hakan Yaman: Beyin Neden Sanat Üretir?
Samuel Butler: The Authoress of The Odyssey
F. Wellington Ruckstuhl: Idealism and Realism Art
Vecdi Uzun: Çağdaş Sanatı Dokuz Kurucu Parametreyle (*) Anlamaya Çalışmak
Theodore Child: Art and Criticism, Monographs and Studies
Théodore Duret: Manet ve Fransız İzlenimcileri – 9
Mehmet Yılmaz: Burhan Alkar’ın Ardından
Christian Brinton: Modern Sanatçılar: “George Frederick Watts”
Christian Brinton: Modern Sanatçılar: “Antoine Wiertz”
P. J. Proudhon: Sanatın İlkesi ve Toplumsal Amacı VI (Orta Çağ: Çileci İdealizm)
Christian Brinton: Modern Sanatçılar, “Giovanni Segantini”
Deniz Gökduman: Yılmaz Güney Tartışması Üzerinden Caravaggio’ya Bakmak
Honoré de Balzac: Bilinmeyen Başyapıt – III
Gustave Geffroy: Sanatsal Yaşam V (Eugène Carrière)
E. Gros-Kost: Courbet Zamanındaki Anılar (XI. COURBET VE DÜŞMANLARI)
Witness at a Crossroads: Photographer Marc Riboud in Asia, The Rubin Museum of Art, (October 16, 2014 – March 23, 2015)
Witness at a Crossroads chronicles French photographer Marc Riboud’s journeys across Asia during the mid-1950s and 60s, a period of great cultural and political transition in the region. More than one hundred arresting black-and-white photographs offer glimpses into everyday life in Turkey, Iran, Afghanistan, Pakistan, India, Nepal, China, and Japan, illuminating tensions between tradition and post-war modernity.
From a camel market in Rajasthan to music hall dancers in Tokyo to an extraordinary
The All-Knowing Buddha: A Secret Guide, Rubin Museum of Art, (October 3, 2014 – April 13, 2015)
The All-Knowing Buddha: A Secret Guide focuses on an exceptional set of paintings in the intimate format of album leaves from 18th-century China that illustrate the meditation practice of Sarvavid Vairochana, a primordial Buddha central to the Tibetan Buddhist tradition. The album is one of only two of its kind in existence to depict visually a secret esoteric practice. The presentation at the Rubin is the first time that these important paintings are exhibited in the United States.
The 54 richly
Francesco Clemente: Inspired by India, The Rubin Museum of Art (September 5, 2014 – February 2, 2015)
Francesco Clemente: Inspired by India
The first museum exhibition devoted to the Indian influences in Clemente’s work and how they relate to the artistic practices and traditions of various regions in India features approximately 20 works, including paintings from the last 30 years, and four new, larger than life-size sculptures created especially for the exhibition. In contrast to leading conceptual art practices of the 1970s, Clemente refocused attention on representation, narrative, and the
Camino del Sol, Sylvie Fleury, Galerie Thaddaeus Ropac (Paris-Pantin), (Nov.27, 2014 – Jan.10, 2015)
Opening in the presence of the artist on 27 November 2014 from 6pm to 9pm
Sylvie Fleury presents Camino del Sol, a new sound and dance performance project at Galerie Thaddaeus Ropac Paris Pantin. The exhibition that follows, until the closing event, reveals the set for the performance and some of its leftover materials.
Originally inspired by Fluxus performance, where simple, repeated actions produced sounds, Fleury’s performance, with its own aesthetic premise, incorporates gestures from everyday
Scapegat Pictures, Gilbert & George, Galerie Thaddaeus Ropac Salzburg, (November 29, 2014 – January 17, 2015)
Galerie Thaddaeus Ropac is delighted to announce the upcoming Gilbert & George exhibition SCAPEGOAT PICTURES at Galerie Thaddaeus Ropac Salzburg.
Over the decades, Gilbert & George have observed the evolution of their East London neighbourhood and our modern world, dealing with the perpetual flux of urban life. In these pictures, the figures are acting in a way, which recalls how Gilbert & George saw themselves as ‘Living sculptures’, binding societal problematics and art together
Reloaded, Sturtevant, Galerie Thaddaeus Ropac (PARIS MARAIS), (November 22, 2014 – January 14, 2015)
After having worked with Sturtevant for 25 years, Galerie Thaddaeus Ropac will present Reloaded, the first posthumous exhibition at the gallery in the Marais. This exhibition will coincide with the comprehensive survey Sturtevant: Double Trouble opening at the MoMA, New York on 9 November 2014 and later travelling to the MOCA, Los Angeles (March-July 2015).
In 1991, the gallery in Paris hosted an exhibition of Sturtevant’s Warhol flowers and in 1994 another exhibition of Sturtevant’s works