Inter – Generational Artist Residency Project

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INTER-GENERATIONAL ARTIST RESIDENCY PROJECT

The Art Gallery
University of Maryland
1201 Art/Sociology Building
College Park, MD
20742

The Barrie School and Winter Growth, an adult day and assisted living facility, are teaming up with The Art Gallery of University of Maryland to offer this exciting teaching artist opportunity. This Artist in Residence position is ideal for someone committed to engaging the community in an experiential art installation project. Applicants should have an

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Zeytinli Rock Festivali, (29-31 Ağustos 2014)

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Türkiye’de konaklamalı rock festivalleri tarihinde özel yere sahip olan Zeytinli Rock Festivali, 29-31 Ağustos tarihleri arasında Zeytinli Dalyan Sahili’nde yeniden hayat buluyor.

Yeniden Zeytinli Rock Festivali…

Türkiye’de konaklamalı rock festivalleri tarihinde özel yere sahip olan Zeytinli Rock Festivali, yeniden hayat buluyor. Eğlence sektörünün genç ve dinamik temsilcisi Arpej Yapım, Edremit Belediyesi’nin de desteğiyle müzikseverleri 29-30-31 Ağustos

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5. MALATYA ULUSLARARASI FİLM FESTİVALİ (21-27 KASIM 2014)

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5. MALATYA ULUSLARARASI FİLM FESTİVALİ 21-27 KASIM 2014 Malatya Uluslararası Film Festivali 5. Yaşını Türk Sineması ağırlıklı programı ile kutluyor! Malatya Valiliği’ninkoordinasyonunda, Malatya Kayısı Araştırma-Geliştirme ve Tanıtma Vakfı tarafından; Kültür ve Turizm Bakanlığı, Başbakanlık Tanıtma Fonu, Malatya Büyükşehir Belediyesi veİnönü Üniversitesi’nin destekleri ile düzenlenen Malatya

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The Past Made Present, Goxwa, Axelle Galerie (November 08 – November 30, 2014)

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ĠOXWA: THE PAST MADE PRESENT

SOLO EXHIBITION

November 8-November 30, 2014

OPENING RECEPTION ON SATURDAY, NOV 8, 7-9 PM (RSVP REQUIRED)

 

  

 Flora, 57½” x 35″            Blue Grotto, 35″ x 46½”                                                Pivoine, 47″ x 47″

 

Axelle New York welcomes back Maltese artist Ġoxwa for The Past Made Present, her tenth solo exhibition at the gallery. Ġoxwa’s encaustic works unite an age-old technique with timeless subjects and contemporary relevance. Her textured landscapes, still-lifes and figures appear to be Mediterranean frescoes painted on the walls of ancient buildings. Using oil, wax and a palette knife on canvas, Ġoxwa creates glimpses into another world- one where the past,  present and future exist side by side. Her defined subjects are often surrounded by unclear backgrounds verging on abstraction. Full of life, Ġoxwa’s birds feel as though they are about to fly, her landscapes about to change and her women about to acknowledge the viewer.

Ġoxwa states:

I would like to think that I am being faithful to those old fresco painters, who were of course “modern” in their days uniting technique and feeling, careful observation of the world around them with fading but still living traditions of an art that must go back to the painters on the walls of caves thousands of years ago.

In fact, Ġoxwa’s whole life has been permeated by the coupling of the past and present.  Her name itself is an ancient form of Josephine. She grew up on the streets of Valletta, where she played in the some of the world’s oldest freestanding buildings. However, she also experienced a very modern Malta amidst a time of great political and social upheaval after Malta gained its independence from the UK in 1964. At the age of 19, she left Malta and studied art in London at The Saint Martin School of Art; afterwards, she studied film at Emerson College in Boston. Studying in cities known both for their historical significance and for their cosmopolitan cultures, Ġoxwa continued to be surrounded by a stark juxtaposition of the past and present.

After her time at Emerson, Ġoxwa had begun to develop a style unusual for modern artists using wax and oil; indeed, the encaustic painting process dates back to approximately 100-300 AD. She had her first solo show in Massachusetts and consequently was awarded a scholarship at the Cite des Artes in Paris. Upon her return to Europe, her first major exhibition completely sold out, as did her second. Her exhibitions since then, both in the US and abroad, have seen similar success.

All of these dualities are encapsulated in her aptly titled new collection, The Past Made Present. Ġoxwa will attend the opening reception on November 8.

For further information, prices and photographic material, please contact Elizabeth Thompson at212.226.2262 or email info@axelle.com Gallery hours are from 10:00am to 7:00pm every day.

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Bestiary, Quentin Garel, Bertrand Delacroix Gallery (November 06 – December 06, 2014)

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QUENTIN GAREL

BESTIARY

SOLO EXHIBITION

November 6 – December 6, 2014

OPENING RECEPTION ON THURSDAY NOV 6, 6-8PM (RSVP REQUIRED)

 

  

Girafe, 108″ x 19½” x 39½”                 Orangutan, 59″ x 59″ x 27½”                              Autruche III, 89″ x 18″ x 31″

 

BERTRAND DELACROIX GALLERY presents BESTIARY, a solo exhibition of new sculptures and drawings by distinguished French artist, QUENTIN GARELBestiary is Garel’s second solo exhibition at BDG. It follows the success of Garel’s US solo debut,  Gueule De Bois (May 2013). The new collection will include limited edition bronze sculptures, unique carvings in wood and large charcoal drawings on paper. Garel is internationally renowned for his distinctive bronze animal busts and skulls with perfected patinas that resemble wood and bone.

Garel’s monumental subjects range from the busts of monkeys, fish and giraffes to bird and crocodile skulls. Garel begins each piece by drawing numerous charcoal sketches to plan the piece – these preparatory studies are unique pieces of art that will be included in the exhibition. These meticulously rendered drawings offer an illuminating glimpse into the artist’s method. It is evident that the drawings come from the hands of a talented sculptor; they are almost 3-dimensional in their careful depiction of each angle, movement and gesture. Afterwards, Garel masterfully carves his bold pieces in wood (or sometimes Styrofoam) using a chainsaw, among other tools. Finally, his pieces are cast into bronze at the Bocquel Foundry, France’s leading foundry. The remarkably executed patinas on the finished sculptures truly distinguish Garel’s work; the bronzes appear to be ancient fossils,  real wood or bone – often, it is necessary to touch the pieces to distinguish their true mediums.

Born in 1975 in France, the young artist now lives and works in Normandy. Garel has been commissioned for several notable public works, including a series of sculptures in the Public Gardens in Lille and another in the garden of the Tour Carpe Diem in Paris. Since his first solo show in 2002 in Paris, Garel has received several prestigious awards for drawing and sculpting from institutions such as the Salon De Mai in Paris, the Académie des Beaux-Arts and the Salon d’art contemporain de Montrouge. Garel will attend the opening reception on November 6.

For further information, prices and photographic material please contact Elizabeth Thompson at 212-627-4444 or email info@bdgny.com.  Gallery hours are Tuesday through Saturday from 10:00 am to 6:00 pm.

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Sıcak Sergi, Kırmızı Kapı Galeri, (23 Ağustos – 23 Eylül 2014)

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Kırmızı Kapı Galeri’de İbrahim Çiftçioğlu organizatörlüğünde karma sergi….
23 Ağustos Cumartesi açılış

Sıcak Sergi, Kırmızı Kapı Galeri, (23 Ağustos – 23 Eylül 2014)

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