Vecdi Uzun: Hegemonik Çağdaşlığın Çıkmazında Bir Patika: Bir Alternatif Olarak Metamodernizm
Vecdi Uzun: Sayın Genco Gülan’a Açık Mektup: Kavramın Değeri, Biçimin Yolculuğu ve Sanatın Ortak Geleceği Üzerine
Meltem Üldes: “İnsânî” Olanı Aramak
HER ŞEY SENDE GİZLİ: GÖRÜNÜR OLANIN ARDINDAKİ RESİM
Vecdi Uzun: Simülatif Estetik ve Yaratıcılıksız Sanatçılık
Dr. Hakan Yaman: Biz Sanata Bakarken Sanat da Bizi Biçimlendirir mi?
Mehmet Yılmaz: Vecdi Uzun’un “Retorik Estetik: …” Metni Dolayısıyla Kısa Bir Açıklama
Burcu Aydın: Mehmet Yılmaz’dan Yeni Kitap: Bildiğim ve Yaptığım Çağdaş Sanat
Vecdi Uzun: Retorik Estetik: Çağdaş Türk Sanatında Plastik Dilin İğdiş Edilmesi ve Kavramsal Enflasyon
Dr. Hakan Yaman: Beyin Neden Sanat Üretir?
Samuel Butler: The Authoress of The Odyssey
F. Wellington Ruckstuhl: Idealism and Realism Art
Vecdi Uzun: Çağdaş Sanatı Dokuz Kurucu Parametreyle (*) Anlamaya Çalışmak
Theodore Child: Art and Criticism, Monographs and Studies
Théodore Duret: Manet ve Fransız İzlenimcileri – 9
Mehmet Yılmaz: Burhan Alkar’ın Ardından
Christian Brinton: Modern Sanatçılar: “George Frederick Watts”
Christian Brinton: Modern Sanatçılar: “Antoine Wiertz”
P. J. Proudhon: Sanatın İlkesi ve Toplumsal Amacı VI (Orta Çağ: Çileci İdealizm)
Christian Brinton: Modern Sanatçılar, “Giovanni Segantini”
Deniz Gökduman: Yılmaz Güney Tartışması Üzerinden Caravaggio’ya Bakmak
Honoré de Balzac: Bilinmeyen Başyapıt – III
Gustave Geffroy: Sanatsal Yaşam V (Eugène Carrière)
E. Gros-Kost: Courbet Zamanındaki Anılar (XI. COURBET VE DÜŞMANLARI)
Deux, Mustafa Karasu, Karşı Sanat Çalışmaları, (25 Kasım – 10 Aralık 2014)
MUSTAFA KARASU / DEUX
25 Kasım – 10 Aralık 2014
Açılış: 25 Kasım 2014
Gözün gördüğü, sınır çizgisinin berisi, gerisi, diğer bir deyişle çevresidir. Göz çizginin çevresinde dolanır. Gördüğünü düşündüğü, bu hareketinin içeriğidir. Göz farkında olmadan olaylar yaratır, yanyanalıkları inşa eder. Çizginin tam üzerine gelemeden, hareketinin yönünü değiştirir. Çizgide bir durma hissiyle, çizgiyle ilişkide bitme, son, ölüm, kapanma hissi, gözün hareketini
Four Points Contemporary 4th Bi-annual Open Juried Online International Art Competition
Four Points Contemporary honors the merit and significance of a life dedicated to serious artistic exploration and growth. We believe that the artist’s ideas, energy and creative drive cannot bear fruit without periods of time devoted to experimentation, education, and personal reflection. We also acknowledge that artists need opportunities to explore at various stages of their artistic careers.
Juror
Ahyor Thompson
Juror’s Profile
Ahyor Thompson is the Artistic Director and Exhibition Curator at Four Points contemporary.
Berlinde De Bruyckere | Sculptures & Drawings 2000 – 2014, S.M.A.K., (18.10.2014 – 15.02.2015)
Sculptures & Drawings. 2000-2014’ at the S.M.A.K. is the first mid-career presentation of the oeuvre of Berlinde De Bruyckere (1964, Ghent). This exhibition shows a hundred-odd works which have so far rarely if ever been seen in Belgium, though in the last decade the artist has exhibited in many of the most important international museums and institutions.
The exhibition does not give us a chronological survey, but is conceived as a promenade taking in a select choice of drawings, sculptures
Collection Study III: Art in Europe after 1968, S.M.A.K., (13.09.2014 – 15.03.2015)
Starting in September, the S.M.A.K. is presenting an exhibition entitled ‘Collection Study III: Art in Europe after 1968’. This study project, launched in 2012, has resulted in a presentation about the exhibition ‘Art in Europe after 1968’, which Jan Hoet mounted in 1980. Works from the original exhibition by such artists as Hanne Darboven, Jannis Kounellis, Luciano Fabro and Art & Language are combined with pieces from the archives and photographic documents in a setting designed
Schwind Foundation | Jean Schwind Retrospective, S.M.A.K., (13.09.2014 – 11.01.2015)
Jean Schwind (1935-1985) was the most notorious and enigmatic figure in Belgian art in the 1970s. After studying French literature and working as a research assistant at Ghent University, at the end of the 1960s he found his way into the art scene. In 1970 he showed large format erotic drawings at the Fitzroy Gallery in Brussels, and the following year exhibited the Schwind Collection, a series of remakes by the nouveaux réalistes. The confusion was only increased by the fact that hardly anyone
Henri Chotteau legacy: François Morellet, S.M.A.K., (13.09.2014 – 11.01.2015)
In 2012 the S.M.A.K. received a generous bequest from the estate of the Brussels collector Henri Chotteau (1947-2012). It consisted almost entirely of important works by the French artist François Morellet (1926, Cholet). Chotteau had an extraordinary passion for Morellet’s oeuvre. He had already donated works by this artist to the S.M.A.K. in 2004 and in the context of the solo exhibition in 2007. The museum now possesses 24 works by Morellet from Choteau’s collection, making it one of the